The flourishing of the commercial music industry in early twentieth-century America enabled people thousands of miles away in Europe to hear the new and previously unimagined sounds of jazz and blues. Carried over the Atlantic in the form of 78 rpm shellac records – many of them brought by US servicemen during the Second World War – they became an object of obsession for collectors, some of whom sought to learn more about the lives behind the names on the disc labels. One such collector was Paul Oliver (1927-2017), who would go on to become one of the foremost authorities on the history of blues music, publishing such books as Blues Fell This Morning (1960) and The Story of the Blues (1969).
Paul Oliver (second from right) with (L-R) Little Walter, Sunnyland Slim, Roosevelt Sykes, Armand “Jump” Jackson, and Little Brother Montgomery.
As a white Englishman, he was, as he wrote, ‘acutely aware of my remoteness from the environment that nurtured the blues’, but he made it his mission to try and understand that environment, encouraged early on by meetings in Paris with the black American writer Richard Wright (who wrote a foreword to Blues Fell This Morning). Oliver did not actually set foot in America until 1960, when with the aid of a US embassy grant and BBC sound equipment, he managed to interview some 70 blues musicians and associated figures, whose transcribed voices would form the basis of the documentary book Conversation with the Blues (1965).
Letter to Oliver from Richard Wright.
The original tapes of those interviews, along with correspondence with Wright, now form part of the Paul Oliver Archive of African-American Music, based in the library of Oxford Brookes University (where Oliver taught architecture for many years). The collection is in the process of being catalogued with the support of the European Blues Association and an Archives Revealed cataloguing grant. The interviews – and the bulk of Oliver’s papers – have already been catalogued, but there are over a hundred other digitised audio tapes still to go. Most of these are compilations of obscure blues songs dubbed from 78s in the early 1960s; though nowadays such material can be accessed via streaming services (thanks to reissue labels such as Document and Yazoo), the original tracklists help situate Oliver in a network of collectors engaged in intensive discographical research.
Lightnin’ Hopkins at the Sputnik Bar, Houston.
There is a tendency now to view blues retrospectively through the prism of its influence on rock music, something Oliver in his later years remained unhappy about: ‘the perception of Robert Johnson as being the grandfather of rock, has led to a peculiar kind of history… which channels everything from Mississippi through a very narrow group of people’. Oliver was drawn to more overlooked performers, admitting to an initial bias towards those with distinctive nicknames: ‘Lightnin’ [Hopkins] or Peetie Wheatstraw were not the names you’d normally come across, so to speak, where a name like Tommy Johnson or Robert Johnson would just sound like the guy next door’. Ironically, this eye for names led to Oliver playing an indirect role in rock history, as it was his allusion in a set of liner notes to the little-known bluesmen Pink Anderson and Floyd Council that reputedly gave the young Syd Barrett the idea to name his band Pink Floyd.
Postcards of views of Mississippi and Arkansas.
The world Oliver inhabited was still one of paper, analogue media, and a dependence on the postal system. For over a decade he worked on a long-distance project about Texas blues with the eccentric American folklorist Mack McCormick, who sent him tapes of gospel services and Mexican Tejano music recorded from Houston radio, turning up so much material that a comprehensive account remained forever out of reach. A desire to trace the roots of the blues to Africa also led Oliver on a field trip to Ghana, where he made several recordings in 1964. These tapes now sit alongside boxes of handwritten lyric transcriptions, typewritten discographies, research cuttings, and visual memorabilia, all testament to a lifetime spent attempting to understand ‘the relationship between the music, the song and the community’.
Tape boxes containing Ghana field recordings.
A selection of Oliver’s photographs from the 1960 US trip – along with audio clips from some of the interviews – can now be viewed in an online exhibition hosted by Oxford Brookes Special Collections. Lower-level catalogue descriptions will be added to the Archives Hub as the project progresses; a collection-level record can be accessed here.
References
David Horn, Interview with Paul Oliver (2007) Christian O’Connell, Interview with Paul Oliver (2009) Paul Oliver, ‘Author’s note’ to Blues Fell This Morning (1960)
Fabian Macpherson Blues Off the Record Project Cataloguer Oxford Brookes University Special Collections and Archives
IIIF is a model for presenting and annotating digital content on the Web, including images and audio/visual files. There is a very active global community that develops IIIF and promotes the principles of open, shareable content. One of the strengths of IIIF is the community, which is a diverse mix of people, including developers and information professionals.
IIIF map showing where there are known IIIF projects and implementations
Images are fundamental carriers of information. They provide a huge amount of value for researchers, helping us understand history and culture. We interact with huge amounts of images, and yet we do not always get as much value out of them as we might. Content may be digitised, but it is often within silos, where the end user has to go to a specific website to discover content and to view a specific image, it is not always easy or possible to discover, gather together, compare, analyse and manipulate images.
IIIF is a particularly useful solution for cultural heritage, where analysis of images is so important. A current ‘Towards a National Collection’ project has been looking at practical applications of IIIF.
The IIIF Solution
Exactly what IIIF enables depends upon a number of factors, but in general it enables:
Deep zoom: view and zoom in closely to see all the detail of an image
Sequencing: navigate through a book or sequence of archival materials
Comparisons: bring images together and put them side-by-side. This can enable researchers to bring together images from different collections, maybe material with the same provenance that has been separated over time.
Search within text: work with transcriptions and translations
Connections: connect to resources such as Wikidata
Use of different IIIF viewers: different viewers have their own features and facilities.
How It Works
The IIIF community tends to talk in terms of APIs. These can be thought of as agreed and structured ways to connect systems. If you have this kind of agreement then you can implement different systems, or parts of systems, to work with the same content, because you are sticking to an agreed structure. The basic principle is to store an image once (on a IIIF server) and be able to use it many times in many contexts.
IIIF is like a a layer above the data stores that host content. The images are accessed through that IIIF layer – or through the IIIF APIs. This enables different agents to create viewers and tools for the data held in all the stores.
Different repositories have their own data stores, but they can share content through the IIIF APIs.
There are a few different APIs that make up the IIIF standard.
Image API
This API delivers the content (or pixels). The image is delivered as a URL, and the URL is structured in an agreed way.
Presentation API
This delivers information on the presentation of the material, such as the sequence of a book, for example, or a bundle of letters, and metadata about the object.
This screenshot shows the Image API providing the zoomable image, and the presentation API providing basic information – the title and the sequence of the pages of this object.
Search API
Allows searching within the text of an object.
Authentication API
Allows materials to be restricted by audience. So, this is useful for sensitive images or images under copyright that may have restrictions.
IIIF viewer
As IIIF images are served in a standard way, any IIIF viewer can access them. Examples of IIIF viewers:
There are a whole host of viewers available, with various functionality. Most will offer the basics of zooming and cropping. There does seem to be a question around why so many viewers are needed. It might be considered a better approach for the community to work on a limited group of viewers, but this may be a politically driven desire to own and brand a viewer. In the end, a IIIF viewer can display any IIIF content, and each viewer will have its own features and functionality.
To find out more about how researchers can benefit from IIIF, you may like to watch this presentation on YouTube (59m): Using IIIF for research
Some Examples
In many projects, the aim is to digitise key materials, such as artworks of national importance and rare books and manuscripts, in order to provide a rich experience for end users. For instance, the Raphael Cartoons at the V&A are now available to explore different layers and detail, even enabling the infra-red view and surface view, to allow researchers to study the paintings in great depth. Images can easily be compared within your own workspace, by pulling in other IIIF images.
The V&A Raphael Cartoons can be viewed in ultra high resolution colour, exploring all of the layers
What is the Archives Hub planning to do with IIIF?
Hosting content: We are starting a 15 month project to explore options for hosting and delivering content. Integral to this project will be providing a IIIF Image API. As referenced above, this will mean that the digital content can be viewed in any IIIF viewer, because we will provide the necessary URLs to do so. One of the barriers for many archives is that images need to be on a IIIF server in order to utilise the Image API. It may be that Jisc can provide this service.
Creation of IIIF manifests: We’ll talk more about this in future blog posts, but the manifest is a part of the Presentation API. It contains a sequence (e.g. ordering of a book), as well as metadata such as a title, description, attribution, rights information, table of contents, and any other information about the objects that may be useful for presentation. We will be looking at how to create manifests efficiently and at scale, and the implications for representing hierarchical collections.
Providing an interface to manage content: This would be useful for any image store, so it does not relate specifically to IIIF. But it may have implications around the metadata provided and what we might put into a IIIF manifest.
Integrating a IIIF viewer into the Archives Hub: We will be providing a IIIF viewer so that the images that we host, and other IIIF images, can be viewed within the Archives Hub.
Assessing image quality: A key aim of this project is to assess the real-world situation of a typical archive repository in the UK, and how they can best engage with IIIF. Image resolution is one potential issue. Whilst any image can be served through the IIIF API, a lower resolution image will not give the end user the same sort of rich experience with zooming and analysing that a high resolution image provides. We will be considering the implications of the likely mix of different resolutions that many repositories will hold.
Looking at rights and IIIF: Rights are an important issue with archives, and we will be considering how to work with images at scale and ensure rights are respected.
Projects often have a finite goal of providing some kind of demonstrator showing what is possible, and they often pre-select material to work with. We are taking a different approach. We are working with a limited number of institutions, but we have not pre-selected ‘good’ material. We are simply going to try things out and see what works and what doesn’t, what the barriers are and how to overcome them. The process of ingest of the descriptive data and images will be part of the project. We are looking to consider both scalability and sustainability for the UK archive sector, including all different kinds of repositories with different resourcing and expertise, and with a whole variety of content and granularity of metadata.
Acknowledgement: This blog post cites the introductory video on IIIF which can be viewed within YouTube.
This blog post forms part of History Day 2021, a day of online interactive events for students, researchers and history enthusiasts to explore library, museum, archive and history collections across the UK and beyond.
Use the Archives Hub, a free resource, to find unique sources for your research, both physical and digital. Search across descriptions of archives, held at over 370 institutions across the UK.
This year’s History Day is themed ‘environmental history‘, so we’re showcasing a range of archive collections relating to nature, landscape, climate change and more.
Nature
Yorkshire Wildlife Trust Archive, 1933 onwards: The Trust was established in 1946 to receive the gift of two plots of land at Askham Bog, York. The land had been purchased in 1944 by prominent confectioners and keen naturalists Sir Francis Terry and Arnold Stephenson Rowntree, following the earlier unsuccessful attempt of the Joseph Rowntree Village Trust to acquire the site at auction. Today, the Trust is one of a national partnership of 47 Wildlife Trusts across the whole of the UK, the Isle of Man and Alderney, and cares for over 100 nature reserves throughout Yorkshire. Held by the Borthwick Institute for Archives, University of York – see full collection description.
Feature: Botany – botany and botanists (March 2005).
Ida Margaret Hayward Collection: Ida was born in 1872 to a family very much connected to the cloth industry. After her father died, she and her mother went to live near her mother’s family in Galashiels in the Scottish Borders where her uncles owned the woollen mills of Messrs. Sanderson. It was noticed by one of her uncles, William Sanderson, that many of the seeds brought in with the wool imported from Australia, New Zealand and South America survived the treatment process and went on to germinate on the banks of the Tweed. Encouraged by him, Hayward set about conducting a thorough study of this alien flora. She jointly published “The Adventive Flora of Tweedside” in 1919. Ida was elected a Fellow of the Linnean Society in 1910 and the Botanical Society of Edinburgh in 1913. Before her death in 1949, she donated her herbarium of adventive (alien) plants to the Royal Botanic Garden Edinburgh, along with her scrapbook and letters relating to the Flora. Held by Royal Botanic Garden Edinburgh Archives – see full collection description.
Online Resource: Historical UK Tide Gauge Data (19th and 20th Century): this collection offers registered users the chance to search UK sea level records, including some of the UK’s earliest recorded sea level data from Sheerness – a port on the Isle of Sheppey in Kent. Records available include several large datasets of tide gauge charts and ledgers from around the UK. Resource is provided by the British Oceanographic Data Centre: https://archiveshub.jisc.ac.uk/data/gbah5-historicaluktidegaugedata.
Stopes (Marie) Papers: Marie Stopes was educated in Edinburgh and London. She obtained a first class honours degree and was a gold medallist at University College London. She studied for her Ph.D. in Munich. Marie was the first woman to be appointed to the science staff of the University of Manchester in 1904. She went to Japan on a Scientific Mission in 1907, spent a year and a half at the Imperial University, Tokyo, and explored the country for fossils. She specialised in coal mines and fossil plants. She founded, jointly with H. V. Roe, the Mothers’ Clinic for Constructive Birth-Control, 1921 (the first birth control clinic in the world). Marie was President of the Society for Constructive Birth Control and Racial Progress. She was also Fellow and sometime Lecturer in Palaeobotany at University College London and Lecturer in Palaeobotany at the University of Manchester. She published many books, mainly concerning botany and birth control. Material held by University College London Archives – see full collection description.
Feature: Ornithology, scientists, enthusiasts, and illustrators (May 2003).
Landscape
Papers of Sir Robert Hunter, Solicitor and Co-founder of the National Trust: Robert Hunter was in South London in 1844. He took his degree at University College, London. In 1867 he was appointed solicitor for the Commons Preservation Society and was instrumental in the preservation of Wimbledon Commons and Epping Forest among other open spaces. In 1876 he wrote a competition essay for the Commons and Footpaths Preservation Society on the means of preserving common lands for the enjoyment of the public. This was chosen as one of six to be published. In 1882 he became Chief Solicitor to the Post Office but continued to advise the Commons Preservation Society. In 1894 he was knighted for services to the open space movement. Coupled with the work of Canon Hardwicke Rawnsley in the Lake District, Hunter’s influence led to the foundation of the National Trust for Places of Historic Interest or Natural Beauty. Material held by Surrey History Centre – see full collection description.
Papers of Sir Charles Lyell (1797-1875): influential geologist, fellow of the Royal Society; these papers include notes on the New Zealand earthquake of 1856. Charles Lyell was born at Kinnordy, near Kirriemuir in Angus, in 1797. During his lifetime he wrote many geological papers, mainly published by the Geological Society of London, however his reputation rests almost entirely on his work Principles of Geology. In this work, Lyell propounded his theory of uniformitarianism, which holds that the Earth’s history is explained by gradual change over time, and that geological processes going on today (like erosion) have occurred in the past and have shaped the Earth’s surface, and this had a strong influence on Charles Darwin. In 1828 he explored the volcanic region of the Auvergne, then went to Mount Etna to gather supporting evidence for the theory of geology he would expound in his Principles of Geology. The collection is held by Edinburgh University Library Special Collections – see full collection description.
Cartouche from Moore’s Mapp of the Great Levell of the Fennsre-printed in 1706 [R59/31/40/13/1]. Image copyright: Cambridgeshire Archives.
G.S. Callendar Archive, 1930-2003: In the first half of the twentieth century, the carbon dioxide theory of climate change had fallen out of favour with climatologists. Beginning in 1938, Guy Stewart Callendar (1898-1964), a noted steam engineer and amateur meteorologist, revived this theory by arguing that rising global temperatures and increased coal burning were closely linked. Working from his home in West Sussex, England, Callendar collected weather data from frontier stations around the world, formulated a coherent theory of infrared absorption by trace gases, and demonstrated that the carbon dioxide content of the atmosphere, like the temperature, was indeed rising. Although he was an amateur meteorologist, Callendar worked on a truly global scale, compiling a reliable world data set of surface temperatures from earliest times and insisting – long before it became fashionable to do so – that climatology must deal with physics and atmospheric dynamics. Just before the beginning of the International Geophysical Year in 1957, Hans Seuss and Roger Revelle referred to the ‘Callendar effect’ – defined as climatic change brought about by anthropogenic increases in the concentration of atmospheric carbon dioxide, primarily through the processes of combustion. Collection held by the University of East Anglia Archives – see full collection description.
Guy Stewart Callendar (1898-1964) Photo courtesy of the G.S. Callendar Archive, University of East Anglia.
Feature: Seeing the light: G.S. Callendar and carbon dioxide theory of climate change (November 2007).
Records of the Geological Society of Glasgow, learned society (1858 onwards): The Geological Society of Glasgow was founded in 1858. The Society aims to gain an understanding of the study of the earth through excursions and lectures, and is still active to this day. The Society’s early contribution to geological research includes, fossils, an understanding of Scotland’s glacial history, geological time and the relationship between climate change and the Earth’s rotation. Famous 19th and early 20th Century Presidents include Lord Kelvin (for 21 years), Sir Archibald Geikie, Charles Lapworth, Ben Peach and Walter Gregory. Material is held by the University of Glasgow Archive Services – see full collection description.
Research Papers relating to the Global Environment Facility (1990-2002): The Global Environment Facility (GEF) is an international financial instrument situated within the World Bank. Establishment of the GEF took place just prior to the 1992 Rio Earth Summit (also known as the United Nations Conference on Environment and Development or UNCED) held 3-14 June 1992. It also resulted in three legally binding agreements known collectively as The Rio Convention: Convention on Biological Diversity; Framework Convention on Climate Change (UNFCCC); United Nations Convention to Combat Desertification. Compliance to agreements was ensured with the establishment of the Commission on Sustainable Development (CSD), the GEF was to be the financial mechanism for these conventions, and the work of the GEF was informed by the outcomes of the Rio Earth Summit. The GEF’s main areas of work focus on biodiversity, climate change, chemicals & waste, land degradation, international waters, sustainable management of forest and REDD+. The body’s work also cuts across food security, sustainable cities, commodities, public private partnerships, capacity development, the small grants programme, gender mainstreaming, small island developing states, and indigenous peoples. The collection is held by Hull University Archives, Hull History Centre – see full collection description.
Other collections related to Environmental History
Environment Agency Collection, 1786-2010: The Environmental Agency is an executive Non-departmental Public Body responsible to the Secretary of State for Environment, Food and Rural Affairs and a Welsh Government Sponsored Body responsible to the Minister for Environment and Sustainable Development. The collection consists of reports, surveys, data records, maps, administrative records and other material relating to the work of the Environment Agency (and of its predecessor organisations the various River Boards, River Authorities, Water Authorities and the National Rivers Authority). While a few documents date back to the 19th century and earlier, the majority spans the 1930s to the 1990s. Material held by Freshwater Biological Association Archives – see full collection description.
Feature: Botany – botany and botanists (March 2005).
Dee and Clwyd River Authority records (1653-1979) 1544 items. In 1965, the Dee and Clwyd River Authority was constituted, superseding the numerous earlier authorities concerned with the navigation of the Dee Estuary and the drainage of low-lying coastal and estuarial land. The construction of a navigable cut from Chester to Connah’s Quay had been empowered by an Act of 1732, to replace the old deep-water channel to the north of the estuary, and in 1740 the River Dee Company was created to maintain the navigation. The Dee Conservancy Act 1889 established the Dee Conservancy Board, taking over the Company’s functions. In 1938, the Conservancy Board officially came to an end. Material held by North East Wales Archives – Flintshire / Archifau Gogledd Ddwyrain Cymru – Sir y Fflint – see full collection description.
Online Resource: Freeze Frame. The collection will be of interest to anyone studying or teaching the arts as examples of landscape, portrait and historical photography. There are images related to the environment, wildlife and travel. Themes such as ‘History of Photography in the Polar Regions’, Changing Britain and the Heroic Age’ and ‘Surviving in Extreme Environments’ can all be explored within this collection. The resource includes 20,000 images, biographies, photographs, still images and text. Provided by Scott Polar Research Institute, University of Cambridge: https://archiveshub.jisc.ac.uk/data/gbah17-freezeframe.
Meteorological Office Archive (Mid-19th Century – 2010): as a result of the Brussels Conference of Maritime Nations in 1853 and following consultations by the Board of Trade with the Royal Society, a Meteorological Department was formed at the beginning of August 1854 for the collection and co-ordination of meteorological observations made at sea. The National Meteorological Archive is the official UK Place of Deposit for meteorological records. It is home to one of the most comprehensive collections on meteorology anywhere in the world and provides a major resource for scientific and historical research of international scope. Their aim is to support the Met Office and the wider scientific community by providing a targeted, proactive and flexible information service; their primary role is to preserve the public memory of the weather and to conserve the records in their care. The collection comprises around 500,000 meteorological records stored across four large, environmentally controlled strongrooms. See full collection description.
Online Resource: GB3D Type Fossils (Lower, Middle and Upper Palaeolithic; Early Neolithic). This collection currently holds examples of macrofossil types found in the UK, and will develop in future to include examples from collections based around the world. The study of fossils provides insight into the Earth’s history, how creatures evolved, continents separated and environments changed across vast periods of time. Fossil types available to view in the database include ammonites, belemnites, fish, corals and trilobites. Institutions who have contributed to the database include the Sedgwick Museum, Oxford University, National Museum of Wales, Geological Curator’ Group and the collection’s publishers – British Geological Survey:https://archiveshub.jisc.ac.uk/data/gbah2-h2-gb3dtypefossils.
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The archive collections of the Royal College of Surgeons of England contain a rich breadth of material covering not just surgery but natural history, medical science, military medicine, medical illustration, hospitals, infectious diseases and social and cultural history. Coverage of the 19th and early 20th centuries is particularly strong, though we have a number of 15th to 17th century manuscripts and modern corporate records.
The collections include material relating to a range surgical specialities and key themes in the history and development of surgery, for example the professionalisation of surgery, the entry of women into the profession, and the influence of war on surgery.
In addition, the College is an international centre for the study of the life and work of John Hunter (1728-1793), holding comprehensive material representing his museum collections, research, correspondence, published works and family life.
The Royal College of Surgeons of England in Lincoln’s Inn Fields, London, sketched by Lady Giorgiana Flower in 1870. (MS0012/1)
College Archive
Since its incorporation in 1800 the Royal College of Surgeons of England (RCS) has played a major role in the teaching and examination of surgeons. This role is comprehensively represented in our archive collections.
The corporate archive, dating from the founding of the Company of Surgeons in 1745 to the present day (mostly pre-1950), such as minutes of the Court of Examiners, illustrate the strategic direction taken by the College in relation to the education and training of surgeons. Sample examination papers, exam regulations and results books demonstrate the types of subjects studied and the rigorous levels of assessment undertaken by surgeons. We also hold an extensive set of 18th and 19th century lecture notes written by students attending the lectures of eminent surgeons and scientists. Their written notes were the chief method of recording surgical knowledge and were used throughout a surgeon’s career.
Our complete series of Council Minutes speak both to the College’s role in the governance of surgery and to the broader context of medical politics.
Fellows Papers Court of Examiners Book, 1813. Among the successful candidates is James Barry, who was later discovered to be a woman. Women were not officially admitted to College examinations until 1909.
Fellows Papers
In addition to its own records, the College has acquired collections of research notes, patient case files and personal papers of eminent British surgeons who were Fellows of the College. Highlights include Astley Paston Cooper (1768-1841), surgeon, professor of comparative anatomy and President of RCS; surgeon and pathologist James Paget (1814-1899); James Berry (1860-1946), who pioneered thyroid surgery in England; dental surgeon Eric William Fish (1894-1974); and Harold Gillies (1882-1960), who developed new procedures to reconstruct the faces of soldiers injured during the First World War.
Watercolour of Private Allister, who was a patient of Sir Harold Gillies. The artist was Daryl Lindsay, August 1918. (MS0513/2/2/03)
Our collections reflect major medical advances that revolutionised surgical practice in the 19th century. One of our most remarkable series is the ‘Lister Rolls’, a set of 6 large manuscript drawings on gigantic rolls, created by Joseph Lister and his assistants as visual aids in teaching microbiological concepts in medical school lecture theatres in the 1870s – the earliest period of the ‘germ theory’. We also hold some of Lister’s research papers and our Library holds the majority of his published works, some of which are annotated and given to the Library by Lister himself.
One of the shorter Lister rolls, measuring approximately 2.4 metres x 1 metre. (MS0021/4/1/17/1)
Edward Jenner was a pupil of Hunter, who encouraged him to test his theories using Hunter’s scientific experimental approach. We hold Hunter’s letters to Jenner, other Jenner correspondence and a manuscript draft of the original cowpox vaccination publication. Our collections also contain letters discussing smallpox vaccinations (1806-1807) and a small collection of anti-vaccination material.
Flyer published by the National Anti-Vaccination League, 1920s. (MS049)
Hospital Records
As a Place of Deposit for Public Records, RCS Archives hold some significant collections of hospital records, notably the London Lock Hospital for venereal disease and its associated Rescue Home for ‘fallen women’ (1746-1948).
Our collection from St George’s Hospital Medical School reflects the role St George’s played in training doctors and surgeons between the years 1762-1933. Most of the collection is within the 19th century with Sir Benjamin Brodie’s medical case notes and experiments, John and William Hunter lecture series and lectures from other notable surgeons including Sir Everard Home and Percivall Pott.
Museum Collection
John Hunter’s vast collection of human and comparative anatomy and pathology specimens was transferred to the College in 1799. This collection forms the core of the College’s Hunterian Museum (reopening early 2023).
Photograph from a museum letter book circa 1879. An anatomist wrote to offer information about the skeleton of a two-legged cat that was held in the museum. He claimed to have evidence that the cat lived a full life and gave birth to at least one litter of “fully formed” kittens. (RCS-MUS/5)
The museum archive (1800-present), which includes specimen catalogues, donations registers and curators’ reports, complements and contextualises the Hunterian Museum collection. In 1941 the College suffered extensive bomb damage, resulting in the loss of approximately two thirds of the museum collections, so in many cases the archival records relating to specimens are the only remaining record of them.
We also hold the papers of many of the Museum’s curators, including William Clift (1775–1849), who was John Hunter’s assistant and the first conservator of the Hunterian Museum; the palaeontologist Richard Owen (1804-1892); microscopist John Thomas Quekett (1815-1861); zoologist William Henry Flower (1831-1899); and anatomists Sir Arthur Keith (1866-1955) and Frederick Wood Jones (1879-1954). These help to tell the story of the development of the Museum and reflect the curators’ personal research interests.
Natural History
The College has added depth and breadth to its natural history collections by acquisitions, for example the papers of zoologists George Busk (1807-1886) and William Charles Osman Hill (1901-1975). Our natural history collections contain fine examples of anatomical and zoological illustrations, including the first proofs of the engravings for the first edition of Gray’s Anatomy.
The museum correspondence series give a fascinating snapshot of 19th to early 20th century views on anatomy and zoology. Letters were a forum for debate and knowledge sharing between museum curators and scholars from all over the world, so they are a treasure trove of interesting stories, for example, “an enormous lizard-like animal” that was spotted in Tonga in 1834, and a platypus that was sent as a gift by the Australian government to Sir Winston Churchill in 1943.
Manuscripts
RCS Archives holds some exceptional manuscripts, for example a medicinal recipe book by the 17th century diarist Elizabeth Isham; the medical log of Christopher Bowes, a ship’s surgeon on the slave ship Lord Stanley in 1792 sailing between Africa and the West Indies; and the ‘Diary of a Resurrectionist’, a manuscript by a grave robber active in the London region in 1811-12 which details the practice of body-snatching.
While the collections concentrate mainly on surgical subjects, there is also important material that provides insight in unexpected subject areas.
Social History
The London Lock collection contains a volume of biographical histories of female patients in its Asylum, many of whom were prostitutes, dating from 1787-1808. This is a unique source of evidence on a group of women whose lives would have been hidden at the time.
Before the Anatomy Act there was a shortage of cadavers for anatomical research and surgical training, so the bodies of executed criminals were given to the College for dissection. William Clift sketched their heads and recorded notes about their crimes.
William Clift’s sketch of David Evans, who was hung for the murder of his wife in 1818. (MS0007/1/6/1/3)
The Arts
Members of the Hunter familywere artists in their own right, and the family were friends with many artists and musicians. As a result our collections contain poetry and a libretto for Hayden’s Creation, by Anne Home Hunter; papers and correspondence of the poet and dramatist Joanna Baillie, including letters exchanged with literary acquaintances such as Sir Walter Scott, William Wordsworth, and Maria Edgeworth; a manuscript fragment of Mozart’s Rondo in A Major; unpublished text by Rudyard Kipling and correspondence with Sir John and Lady Edith Bland-Sutton and his uncle Edward Burne-Jones with accompanying illustrations.
Further details of all our archive collections can be found on our online catalogue. The major themes in the archives are complemented by our Library’s collection of more than 30,000 tracts and pamphlets which have been digitised and are available to view online.
Following the closure of the College building for redevelopment, RCS Archives is due to reopen in our new Research Room at Lincoln’s Inn Fields in December 2021.
Victoria Rea Archives Manager Royal College of Surgeons
Related
Browse all Royal College of Surgeons of England Archives collections on the Archives Hub.
All images copyright Royal College of Surgeons of England . Reproduced with the kind permission of the copyright holders.
We spend a great deal of time discussing each field in an archival description as part of the process of data aggregation and normalisation. But some fields raise more questions than others. I think overall we’ve probably spent the most time on the unique reference for each unit of description, which is so important when identifying and sorting descriptions and moving them around. Creator has also thrown up a number of challenges. Recently we’ve been thinking about ‘Genre/Form’. So, I thought I would post about it, as it reflects many of the types of issues that we think about as an aggregator.
On the Archives Hub, less than 1% of descriptions have genres or forms included. They can be in the core descriptive area and within the ‘control’ area as index terms – most are in the descriptive area. Quite a few of them are in our Online Resource descriptions of web resources that feature/display/explain archives, in particular they are in descriptions created for digitisation projects, where adding this information was part of the cataloguing process. In conclusion, it is clearly not common practice to add this information in archival descriptions.
When very few descriptions have a type of descriptive data – in this case genre/form – then the only thing you can really do is display it. If you provide a search or filter so that end users can find genre/form content, such as ‘photographs’ or ‘maps’ or ‘typescripts’ then you are encouraging them to narrow down their search to a tiny percentage of the descriptions – only those ones that have these terms included. Most users will assume that a search for ‘photographs’ will find all of the descriptions that include photos, when in reality it would find just a few percent. So, it is not a useful search; it is really a very misleading search. For this reason, in the imminent upgrade to the Archives Hub we are removing the links that we currently have on the genre/form entities, so that they do not create new searches.
Even displaying this data could be seen as misleading, because then the user might think that a description that doesn’t list ‘photographs’, for example, doesn’t have them, because other descriptions do list photographs. It is hard to convey to users that descriptions vary enormously. Even writing this now, I start to wonder whether it is worth us displaying the genre/form content at all when it may mislead in this way. Yet, it certainly can be useful for a researcher to know the types of content within a large collection.
Within the descriptions that do use this field, many are as you might expect, e.g. ‘photographs, leaflets, posters, letters, ephemera, books’. Others are more descriptive, e.g. ‘silver instruments in hard leather box’ or ‘Correspondence and other documents, architectural drawings, engineering contract drawings, and naval architecture publication’ or ‘Small ring-bound notepad’. Descriptive entries can convey more to a researcher, but they provide real challenges if you want to use the terms as links to allow users to search for other similar items. Also, a ‘small notepad’ might be ‘manuscript’ or ‘typescript’. If an end user searches for ‘typescript’ they would not find the small notepad. This is the problem of a lack of controlled vocabulary, and the problem of what ‘genre’ and ‘form’ really mean. The difficulty of separating them is clearly why they have ended up being bundled together.
We have not made an analysis of the use of controlled vocabulary, but it is clear that in general terms are not controlled. In our own EAD Editor, we provide links to the Getty Thesaurus of Graphic Materials and the Art and Architecture Thesaurus, but I am not sure how appropriate these are to describe all materials within an archive. Obviously an archive can include pretty much anything. If we just stuck to controlled vocabularies, we would probably omit some items. The Ivan Bunin collection from the University of Leeds is a great example of a description that lists a whole range of items – really useful to have, but difficult to see how this would work in a structured, controlled vocabulary world. In general, it seems to be common practice simply to list genre and form using local terms, which will differ between institutions, between cataloguers, and over time.
One of the issues I’ve mused upon is whether people are more likely to add a form such as ‘photographs’ and omit a form such as ‘typescript’, even if there are only a very few photographs, and a great deal of typescript material. Do the terms included really reflect the make-up of the collection? I suspect that cataloguers might think that end users are more interested in finding photographs or maps as genre types than finding typescript documents, and that may well be true. Also, it would be very difficult to list all the material types within a large collection, so only the main types, or clearly defined types are likely to be included.
As an aggregator, we have to understand and appreciate that each contributor has their own approach to cataloguing, and will use fields differently, or use them regularly, sometimes, or not at all. But also, I’m sure many of our contributors would say that across their descriptions there isn’t the level of consistency they would like, for various historical reasons. This is just multiplied when everything is aggregated. Aggregation allows for the power of global editing and enhancement, UK-wide interrogation and cross-searching, and serendipitous discovery. It is enormously powerful. It also creates a headache with how to harmonise everything in order to effectively do this.
The particular issue with genre/form came up because we are developing an Excel (spreadsheet) template for people to use if they prefer to catalogue in this way. We want to make sure the template is user friendly. We have included a column named ‘Genres/Forms’ and in the end we have simply made it a descriptive field without trying to structure or control the content. We will not try to add the content to our indexes, because of this complication of turning the text into structured data, and because we are not sure that it is really all that useful for the reasons outlined above.
Somewhat related to this, the new EAD standard, EAD3, has rather unhelpfully removed the sub-categories of ‘physical description‘, which are ‘extent’, ‘genreform’, ‘dimensions’ and ‘physfacet’ so that they all have to be bundled into just one field. Either that or you have to add a structured physical description which requires you to add a value from a list: carrier, material type, space occupied or other physdesc structured type (which asks you to then add the ‘other’ type). I can just imagine going back to all our contributors and asking them to add a type to all their physical description information! If we move to EAD3, we would remove the demarcation that tells us the information is about the genre/form or about the extent. This is potentially a deal breaker for us adopting EAD3, as taking away structure that is already there seems like madness. You could argue that simply having one free text field for physical description gets us off the hook with our attempts to work with the data (e.g. potentially using extent to provide a search to help convey the size of collections to users) – if it was completely unstructured then any attempt to analyse and present it differently would be impossible. However, just the process of putting these sub-fields together into one field would actually be extremely difficult due to the fact that different institutions have different patterns of data input. ISAD(G), the archival standard for description, doesn’t refer to form or genre at all, but recommends adding extent and medium, such as ’42 photographs’ or ‘330 files’, or else adding the overall storage space, such as 20 cubic metres. It doesn’t really go in for promoting structured data.
For those interested, here is a breakdown of the genre/form entries that have been used at least 10 times, just to give an idea of some common terms (though most entries include several types, so they will not appear in this list):
(Corrrespondence may be down to a rather extensive cut and paste error).
I’m not going to get into the thorny issue of what ‘genre’ is and what ‘form’ is. They were put together in EAD, whilst ISAD(G) doesn’t use these terms at all, but refers to ‘medium’. The distinction seems very blurred, and there are many archivists who will have more idea of what the definitions are than I do. I think it is very much open to interpretation for individual cataloguers – so we have entries like ‘small boxes’, ‘New Orleans-style jazz’ and ‘Museum administration’ and ‘social history’ as well as ‘personal papers’, ‘manuscripts’, ‘typescripts’ and ‘sound’.
In the end genre/form is a field that seems potentially very useful – the idea that researchers can search for maps, or prints, drawings or postcards, CDs or tape, is appealing, but in reality, we have never really prioritised this information in our catalogues. In our machine learning project, just kicking off, we may explore the possibility of interrogating descriptions to potentially add genre/form. It would be interesting to see how well this works. But I wouldn’t bet my house on it…or even my outhouse – the narrative style of most catalogues is likely to hinder any effective identification of material types.
We would love to hear from you if you utilise this field. Do you think it is useful? Do you try to add a comprehensive list of genres/forms? Do you think that researchers really want to search by material type?
£14.5m awarded to transform online exploration of UK’s culture and heritage collections through harnessing innovative AI
The Arts and Humanities Research Council (AHRC) has awarded £14.5m to the research and development of emerging technologies, including machine learning and citizen-led archiving, in order to connect the UK’s cultural artefacts and historical archives in new and transformative ways.
The Archives Hub is pleased to announce that we will be a project partner in one of five major projects being launched today. The projects form the largest investment of Towards a National Collection, a five-year research programme. Today’s launch reveals the first insights into how thousands of disparate collections could be explored by public audiences and academic researchers in the future.
The five ‘Discovery Projects’ will harness the potential of new technology to dissolve barriers between collections – opening up public access and facilitating research across a range of sources and stories held in different physical locations. One of the central aims is to empower and diversify audiences by involving them in the research and creating new ways for them to access and interact with collections. In addition to innovative online access, the projects will generate artist commissions, community fellowships, computer simulations, and travelling exhibitions. The projects are:
● The Congruence Engine: Digital Tools for New Collections-Based Industrial Histories
● Our Heritage, Our Stories: Linking and searching community-generated digital content to develop the people’s national collection
● Transforming Collections: Reimagining Art, Nation and Heritage
● The Sloane Lab: Looking back to build future shared collections
● Unpath’d Waters: Marine and Maritime Collections in the UK
The investigation is the largest of its kind to be undertaken to date, anywhere in the world. It extends across the UK, involving 15 universities and 63 heritage collections and institutions of different scales, with over 120 individual researchers and collaborators.
Together, the Discovery Projects represent a vital step in the UK’s ambition to maintain leadership in cross-disciplinary research, both between different humanities disciplines and between the humanities and other fields. Towards a National Collection will set a global standard for other countries building their own collections, enhancing collaboration between the UK’s renowned heritage and national collections worldwide.
Archives Hub and the Transforming Collections: Reimagining Art, Nation and Heritage project
The Archives Hub at Jisc will be working with fellow project partners:
susan pui san lok, 2021: Courtesy the artist
Tate
Arts Council Collection
Art Fund
Art UK
Birmingham Museums Trust
British Council Collection
Contemporary Art Society
Glasgow Museums
Iniva (Institute of International Visual Art)
Manchester Art Gallery
Middlesbrough Institute of Modern Art
National Museums Liverpool
Van Abbemuseum (NL)
Wellcome Collection
The Principal investigator for Transforming Collections: Reimagining Art, Nation and Heritage project is Professor susan pui san lok, University of the Arts London.
More than twenty years after Stuart Hall posed the question, ‘Whose heritage?’, Hall’s call for the critical transformation and reimagining of heritage and nation remains as urgent as ever. This project is driven by the provocation that a national collection cannot be imagined without addressing structural inequalities in the arts, engaging debates around contested heritage, and revealing contentious histories imbued in objects.
Transforming Collections aims to enable cross-search of collections, surface patterns of bias, uncover hidden connections, and open up new interpretative frames and ‘potential histories’ (Azoulay, 2019) of art, nation and heritage. It will combine critical art historical and museological research with participatory machine learning design, and embed creative activations of interactive machine learning in the form of artist commissions.
Among the aims of this project are to surface suppressed histories, amplify marginalized voices, and re-evaluate artists and artworks ignored or side-lined by dominant narratives; and to begin to imagine a distributed yet connected evolving ‘national collection’ that builds on and enriches existing knowledge, with multiple and multivocal narratives.
The role of the Archives Hub will centre around:
Disseminating project aims, developments and outcomes to our contributors, through our communication channels and our cataloguing workshops, to encourage a wide range of archives to engage with these issues.
Working with the Creative Computing Institute, at the University of the Arts London, to integrate the Machine Learning (ML) processing into the Archives Hub data processing workflows, so that it can benefit for over 350 institutions, including public art institutions.
Providing expertise from over 20 years of running an archival aggregator and working with a whole range of UK archive repositories, particularly around sustainability and the challenges of working with archival metadata.
Back in September 2001 we ran our first feature (we can scarcely believe it’s been that long ourselves!), all about the papers of Manchester-born, Oscar-winning actor Robert Donat (1905-1958) and an exhibition at the John Rylands University Library of Manchester.
Since then, we’ve published a new feature every month to promote our contributors‘ collections, initially via our web pages*, and now on our blog. For several years, these were nearly always produced by members of the team but now the features are mainly written by our contributors themselves. We’re really pleased at this shift: who better to tell the stories behind the collections than the archivists caring for them? The features are also an opportunity for archives to publicise their anniversaries, exhibitions and other events.
Over the past 20 years we’ve featured collections from the wide, and growing, range of UK archives represented on the Archives Hub: Universities, Royal Colleges, museums, galleries, businesses, charities, local authorities and specialist archives – including theatre, dance, design, industry and medicine. We’ve picked out some highlights…
Barclaycard: 50 years of plastic money – the story from the Archives
Early advertising at a garage.
June 2016 saw the 50th anniversary of the official launch of Barclaycard, the first all-purpose credit card in Europe. The idea of Barclaycard is credited to general manager Derek Wilde, later a vice-chairman of Barclays, and James Dale, who became Barclaycard’s first departmental manager. Their idea was backed by Barclays’ chairman John Thomson, who recognised the need to ‘beat the others to it’. The immediate inspiration came from a visit to the United States in 1965 by Wilde, Dale and computer expert Alan Duncan, specifically to look at Bank of America’s BankAmericard. Provided by Barclays Group Archives: https://blog.archiveshub.jisc.ac.uk/2016/05/31/barclaycard-50-years-of-plastic-money-the-story-from-the-archives/.
The London to Istanbul European Highway
Sixteen days after setting off, they reached Istanbul. By Margaret Bradley.
The National Motor Museum Motoring Archivescontain approximately 300 collections, which relate to numerous aspects of motoring history, including speed records, motor sport, businesses and famous personalities. Material is held in support of the National Motor Museum’s wider Collections, and is well used as part of the Research Service. The Bradley Collection contains material relating to a survey of a transnational road from London to Istanbul. The collection includes a promotional booklet published by the Automobile Association (AA), and all of the original artwork produced by Margaret Bradley during the trip: https://blog.archiveshub.jisc.ac.uk/2015/12/01/the-london-to-istanbul-european-highway/.
Coughs and Sneezes: Influenza epidemics and public health
This photograph shows an embroidered handkerchief, First World War, from the Liddle Collection, Leeds University Library. “1918. Souvenir de France”. The war in Europe ended on the Western Front on November 11th, 1918. Photo courtesy Liddle Collection, Leeds University Library.
Outbreaks of flu often develop into serious epidemics. Three times in the twentieth century this became pandemic, or worldwide. The most serious epidemic in history was the influenza pandemic at the end of the First World War. Robert Brown of the Wellcome Trust Centre for the History of Medicine at University College, London writes about how the wealth of archival material in the Liddle Collection, Leeds University LibrarySpecial Collections, can help our understanding of the Spanish Flu: https://archiveshub.jisc.ac.uk/features/jan06.shtml
World War One World War One (1914-1918) was a war like no other before it and was itself hugely influenced by the political and social changes that accompanied the Industrial Revolution. This feature explores many aspects of the war, including the roles of women, medicine and warfare, propaganda, correspondence and diaries: https://archiveshub.jisc.ac.uk/features/worldwarone/index.html.
Continuity of Care – The Royal Scottish National Hospital
The Nobel Prizes The Swedish chemist and engineer Alfred Nobel (1833-1896) invented dynamite in 1866. Nobel bequeathed his estate to establish an award for achievements in physics, chemistry, medicine, literature, and peace. The Archives Hub includes descriptions for the papers of many Nobel laureates: https://archiveshub.jisc.ac.uk/features/dec04.shtml
Black History Month: Theatre, culture and the Beatles
THM/374/1/195/3 Image of ‘O Babylon’, Riverside, February 1988, Talawa Theatre Company.
Women Fish Sellers – from Hamilton, Robert (1866) British Fishes, Part II, Naturalist’s Library, vol. 37, London: Chatto and Windus. Image in the public domain (photograph from the Freshwater and Marine Image Bank at the University of Washington).
A selection of the wonderful, and sometimes surprising, collections relating to fish, ranging across research, expeditions, fisheries, the fishing industry and river authorities – not forgetting a fish and chip shop, a theatre and several appropriately named individuals: https://blog.archiveshub.jisc.ac.uk/2020/07/31/fish-are-jumpin-in-the-archives/.
In 1897 Lady Wallace died and bequeathed the contents of the ground and first floor of Hertford House, her art-filled London residence, to the nation. This included paintings by Rembrandt, Reynolds and Canaletto, the finest collection of Sèvres porcelain in the world and nearly 2,500 pieces of arms and armour. These items were collected by the first 4 Marquesses of Hertford and Sir Richard Wallace, the illegitimate son of the 4th Marquess. The Wallace Collection Library and Archives reflect the collections and history of the Museum and its founders. https://blog.archiveshub.jisc.ac.uk/2015/09/01/the-wallace-collection-archives/.
Heavenly Harmony: Music in the Collections of Canterbury Cathedral Archives & Library
The entry in this missal for the festival of All Saints to whom the church at Woodchurch is dedicated is elaborately illuminated (CCA-U88/B/6/1, folio 52)
D H Lawrence Collection The D H Lawrence Collection at the University of Nottingham’s Department of Manuscripts and Special Collections began in the 1950s prompted by an increasing academic interest in Lawrence’s life and works. Since then, the Collection has grown and now forms one of the major international research resources for the study of D H Lawrence: https://archiveshub.jisc.ac.uk/features/lawrence.shtml.
Raymond Williams papers at the Richard Burton Archives, Swansea University
Photograph of student group in the reading room.
Raymond Williams (1921-1988) is probably best known for his notion that culture is ordinary. Through published works such as ‘Culture and Society’ (1958), he was one of the leading academic figures undertaking research and publishing works that explored and redefined ‘culture’. Other seminal works written by Raymond Williams included ‘The Long Revolution’ (1961), ‘The Country and the City’, ‘Keywords’ (1976), ‘Towards 2000’ (1983). As a major intellectual figure of the twentieth-century, Williams is recognized worldwide as one of the founding figures of Cultural Studies. Swansea University‘s collection has been the catalyst for fascinating conversations in the Reading Room about Raymond Williams as a writer, researcher, teacher, as well as discussions about some of the questions posed by the archive: challenging handwriting, apparently random notes and half-finished texts, who wrote what – was it Raymond or was it his wife, Joy? https://blog.archiveshub.jisc.ac.uk/2017/10/02/raymond-williams-papers-at-the-richard-burton-archives-swansea-university/
That’s just scratching the surface though! You can explore many of our Features through our gallery:
Since its creation in 1823, the Royal Asiatic Society has run an active publications programme with the aim of realizing the mission expressed in the Society’s charter: ‘the investigation of subjects connected with, and for the encouragement of Science, Literature and the Arts in relation to Asia’. Publications have been supported by different funds and committees, but the oldest and perhaps most significant is the Oriental Translation Fund.
The fund was established in 1828 through a committee that was theoretically independent of the Society with its purpose to translate and publish ‘interesting and valuable works on Eastern History, Science, and Belles-Lettres’ and to make them accessible to wider audiences. The fund operated with great inclusiveness for the period, with a range of Asian languages accepted and translators of different nationalities welcomed. The list of early subscribers was impressive: King George IV was Patron, and other influential figures included: Prince Leopold of Saxe-Coburg, the former Prime Minister (the Duke of Wellington), the Archbishop of Canterbury, and the founder of the RAS, Henry Thomas Colebrooke.
Bust of Henry Thomas Colebrooke (1765-1837) who was the founder of the Royal Asiatic Society. This image can be viewed on the Society’s Digital Library.
The Oriental Translation Fund Archive covers the period 1836-2010, and consists of minute books, correspondence, publication lists, purchases and stock books. The material provides an insight into the general operations of the fund and the figures that contributed towards its longevity. Publications from the fund have been divided into two series with publication lists highlighting that 71 translations were published in the first series. This included the first OTF translation of a Sanskrit text, Kālidāsa’s ‘Raghuvaṃśa’ into Latin by Adolf Stenzle and a translation of the Persian manuscript ‘Customs and Manners of the Women of Persia’ by James Atkinson.
One of the early publication lists from the fund printed in 1844 (OTF/3/1/7).
However, initial enthusiasm for the fund began to decline and operations were suspended in 1860 due to a shortage of funds. This is covered in the final minute book of the collection from November 1865 where it is written that ‘no more subscriptions should be called in’ and that the Wesleyan Missionary Society were to ‘enter also upon negotiations for the purchase of the stock and copyright of the O.T Society’s publications’.
Extract from the final minute book in November 1865 which highlights that the committee is entering negotiations with the Wesleyan Missionary Society for the purchase of stock (OTF/1/4).
Nevertheless, correspondence within the collection reveals that there were continuous talks to revive the fund in the 1880s with most of these efforts led by the British Orientalist and translator, Forster Fitzgerald Arbuthnot. Arbuthnot took control of the management of the fund and donated large amounts of his own money to allow the fund to continue. A leaflet within the collection showcases the confirmed revival of the fund, following a meeting at the Society in 1889. This included an establishment of a new committee and the creation of a reserve fund of £5,000 to fund new publications.
Leaflet highlighting the establishment of the new Oriental Translation Fund Committee in February 1890 (OTF/2/3).
Image of publications from Series 2 of the fund.
Due to the efforts of Arbuthnot and others, the fund is still in existence today whilst many other subscription presses within the Victorian period have ceased. The most recent OTF publication, Aap Beeti by Tript Kaur, has been translated into English from Punjabi. This can be viewed on the Society’s website.
Event poster from the Society’s virtual book launch of Aap Beeti from October 2020.
The catalogue for the Oriental Translation Fund can be viewed on the Society’s Archives Hub page which lists all of our catalogued archives. The Royal Asiatic Society’s collections were created with the founding of the Society in 1823 and include: printed material, manuscripts, paintings, drawings, photographs, maps and archives. These provide an important resource for anyone wishing to study and gain further understanding of Asian cultures and history.
For further information please visit the Society’s website. The Reading Room is currently open to researchers with pre-booked appointments on Tuesday, Thursday and Friday.
In 2018 De Montfort University (DMU) Special Collections received a grant from the Wellcome Trust to undertake a cataloguing project involving four of our sports history collections: the papers of England Boxing, the Ski Club of Great Britain, Sir Norman Chester and the Special Olympics Leicester. In this feature project cataloguer Louise Bruton focuses on the particular challenges of cataloguing one of those collections: the papers of Sir Norman Chester, an academic and specialist in public administration by profession as well as a lifelong football supporter.
Chester presenting a Football Trust cheque to the Scottish Football Association. Photograph shows Chester, Ernie Walker (Secretary of the Scottish Football Association).
Cataloguing personal papers as opposed to those of an organisation can be challenging. Whereas the documents of an organisation often retain the traces of the creating administration, divided into departments and divisions with defined responsibilities, personal papers can be more amorphous. The challenge presented by the Chester files was that they all consisted of papers relating to football improvement works and the content of each file appeared at first glance to be very similar. With over 300 files to sort through, I needed a way to uncover each file’s history and make sure that I retained its association to other files documenting the same piece of work.
‘Soccer – The Fight for Survival’.
I discovered that the best way to distinguish between files was to establish what Chester’s role was in that particular file – was he Chairman, Deputy Chairman, advisor, individual football fan? The way he signed off his letters was a clue, as was the headed paper. Chester’s papers were split and given to different institutions, so this section of his papers is entirely concerned with his work on football administration and I therefore decided that the best way to structure the catalogue was by Chester’s role.
Chester led two inquiries into the organisation, finance and management of association football in 1966 – 1968 and 1982 – 1983, the former only a few years after the end of the retain and transfer system and maximum wage rule which determined players’ ability to transfer between clubs, and the latter only ten years before the creation of the Premier League. The Chester Papers collection includes files of correspondence and notes Chester compiled as he worked on these inquiries, along with copies of the final reports (see series S/005/01 and S/005/02).
Archive folders before and after repackaging.
Chester was working during a difficult time for football in which declining attendance figures, crowd behaviour, financial struggles and stadium safety were key concerns. The bulk of the collection we hold consists of files relating to Chester’s work for two Trusts which sought to improve facilities at football grounds across Britain.
Appointed for his unique combination of public administration expertise and personal passion for the game, Chester served as Chairman of The Football Grounds Improvement Trust from 1975 – 1979 and as Deputy Chairman of The Football Trust from 1979 – 1986. Following the Ibrox Stadium Disaster in 1971, a report into safety at sports grounds found that existing standards were inadequate. The Safety of Sports Grounds Act 1975 required sports stadia with capacities of over 10,000 to carry out improvements to meet new safety criteria. Many Football League club grounds were large enough to fall under the legislation, but found it difficult to finance the necessary alterations.
Littlewoods Pools poster from the Chester papers. The pools funded improvement work at stadia.
The Football Grounds Improvement Trust (FGIT) was set up to give grants to football clubs to carry out safety improvement works. Funded by money from the football pools, FGIT considered applications from clubs on an individual basis, using a firm of surveyors to examine the technical details of proposed structural work. As Chairman, Chester reviewed all of these applications and kept copies, along with correspondence, in a series of alphabetised files. These are now catalogued as the series S/005/03/04. Many of the applications include plans and provide a snapshot each club’s facilities and future plans at that moment in time. Sadly, in spite of the grants allocated and the improvements made, disasters such as the Bradford City stadium fire in 1985 showed that many football grounds still required significant redevelopment.
Drawing of Weston Super Mare Football Club new ground.
Grant applications can also be found in Chester’s files relating to his work as Deputy Chairman of The Football Trust. As a sister organisation to FGIT, the Football Trust had a wider remit, extending grants to non-League football clubs and supporting research into football’s place in society. The grant files series (S/005/04/05) is a great place to search for local clubs as well as local-authority run grass-roots football grounds.
Chester’s files show that work to improve the safety of football stadia was linked to a desire to improve the environment for spectators and to contribute to a reduction in hooliganism. The ‘Anti-Hooliganism Measures’ series (S/005/04/05/009) documents efforts to understand and tackle problematic crowd behaviour. This work was ongoing at the time of Chester’s death in 1986.
Chester’s collection of Oxford United matchday programmes.
The most personal items are his collection of Oxford United football programmes. Many are annotated with the final score, showing that Chester attended almost all of his local team’s home games over a twenty-year period until the month before he died, remaining a football fan first and a football administrator second.
Louise Bruton, Project Archivist and Katharine Short, Special Collections Manager ‘Unboxing the Boxer’ Wellcome Trust funded cataloguing project De Montfort University Archives and Special Collections
Over the first half of this year we ran a series of training sessions remotely. We agreed on a set of sessions of 1.5 hours duration, reflecting the feedback we have had from our contributors and potential contributors about what they would like.
The sessions we organised were EAD Editor sessions – basic and ‘refresher’, exporting from Calm, exporting from AdLib, providing content using spreadsheets (Excel), using the CIIM, and a session on structure and names in archive descriptions. We also ran a session on user experience and behaviour, which was the first time we have organised a session not specifically about the Archives Hub, discoverability and data.
We have received feedback from 32 attendees. 100% of attendees agreed or strongly agreed that the sessions were worthwhile. 72% agreed that the content was excellent, 28% that it was very good or good. We had similar ratings for clarity, pace and organisation. So, overall, we are happy that the training provided met people’s needs and the sessions ‘hit the spot’.
Comments (paraphrased) included: it was easy to ask questions, focused and clear, it boosted my confidence, I am clear where I can go for help if needed, good to see export in action, presented in a relaxed manner and not too long, worked well to see the Editor on screen share, the speaker held my attention for the full 90 minutes. The session on user behaviour was well received, with comments on interesting speakers, good experience of their subject, a variety of perspectives. There is a short blog post on that session, with a link to the Zoom recording.
We asked if people would like to see us cover other topics in the future. There were a variety of suggestions, all of which we will consider. One suggestion was for a session on basic structuring and approaches to cataloguing, and this has been asked for a few times, so we will aim to run a session around this in the second half of the year. We were also asked for something on the benefits of being on the Archives Hub. We did used to incorporate this into our longer EAD Editor sessions, and it is worth thinking about making sure we do convey the benefits of increased discoverability and being part of the Hub community.
If there are areas that you would like us to cover, please do get in touch. We aim to provide training that meets the needs of the community – so we need your input!
We are also looking at running more sessions that bring together speakers from our community, such as the session on user experience and behaviour. We are planning a session on ‘machine learning’ in the not too distant future.
All sessions for contributors and potential contributors will be advertised through our contributors’ list, so do make sure you are on the list in order to find out about upcoming events. Email us at contributors.hub@jisc.ac.uk.
Remember that we also have YouTube videos for practical training on using the Editor and the CIIM and on exporting.
Content of the workshop
Clarity of the workshop
Useful & worthwhile