Firefighters
This month we focus on firefighters, highlighting descriptions for the records of fire and rescue and civil defence services, with an empasis on descriptions for the papers of men and women working for these services during the Second World War.
Illustration: photograph of fire engine, Bury St. Edmunds, Suffolk, from Geograph British Isles; copyright © Keith Evans and licensed for reuse under this Creative Commons Licence.
Better Description for Better Discovery
I have just been re-reading a recent report: The Metadata is the Interface: Better Description for Better Discovery of Archives and Special Collections, Synthesized from User Studies, Jennifer Schaffner, OCLC Research (2009).
- People want to discover information by themselves and at the network level, not the institutional level. Less mediation is a good thing.
- Archivists often focus on what collections consist of, which is at odds with researchers, who want to learn what collections are about.
- Subject access is rated highly by many users, though they may use keyword searching rather than structured terminology
- It is difficult to compare studies because of an inconsistent use of terminology
- Researchers prefer quality content, but above that they want more descriptions, even if they are minimal, in order to open up more archival content
- Some users prefer summary records, some prefer detail – from our user studies we cannot really draw conclusions as to which is preferred
- Successful discovery currently requires too much understanding from the researcher of what they are looking for before they even begin
- Archivists should give more thought to creating descriptions that are network friendly. Most people start their searches with Google.
- Archivists should give more thought to effective relevance ranking of search results
- Archivists should re-examine the principles that underpin archival arrangement and description and have more focus on user requirements so that online finding aids are more intuitive and easy to use
- Enabling user annotation would augment finding aids and may make them more intellectually accessible to a wider audience
- There is a significant divergence and a lack of consensus in archival display. The users that Nimer and Daines talked to showed a level of dissatisfaction with the entire approach to EAD display; they wanted more direct access to item-level descriptions
- Users want direct access to items but are unable to understand the descriptions without adequate context, so closer integration of context is important
- Terminology can cause some confusion but generally users are quick to understand words when they are used in context
Hub contributors’ reflections on the current and future state of the Hub
Web 2.0 for teaching: wishy-washy or nitty-gritty?
- It is the tutors’ own beliefs about teaching that are the main influence on their perceptions of Web 2.0
- There is little discussion about Web 2.0 amongst colleagues and the use of it is generally a personal decision
- Top-down goals and initiatives do not play a major part in use of Web 2.0
- It may be that a bottom-up experimental approach is the most appropriate, especially given the relative ease with which Web 2.0 tools can be deployed, although there were interviewees who argued for a more considered and maybe more strategic approach, which suggests something that is more top-down
- There is little evidence that students’ awareness of Web 2.0 is a factor, or that students are actively arguing in favour of its use:
- The use of and familiarity with Web 2.0 tools (personal use or use for research) was not a particularly influential factor in whether the respondents judged them to have potential for teaching.
- In terms of the general use of Web 2.0 tools, mobile social networking (e.g Twitter) and bookmarking were the tools used the least amongst respondents. Wikis, blogs and podcasting had higher use.
- In terms of using these tools for teaching, the data was quite complex, and rather more qualitative than quantitative, so it is worth looking at the report for the full analysis. There were interviewees who felt that Web 2.0 is not appropriate for teaching, where the role of a teacher is to lay down the initial building blocks of knowledge, implying that discussion can only follow understanding, not be used to achieve understanding. There was also a notion that Web 2.0 facilitates more surface, social interactions, rather than real cognitive engagement.
Archival Context: entities and multiple identities
I recently took part in a Webinar (Web seminar) on the new EAC-CPF standard. This is a standard for the encoding of information about record creators: corporate bodies, persons and families. This information can add a great deal to the context of archives, supporting a more complete understanding of the records and their provenance.
Designs on Delivery: GPO Posters from 1930 to 1960: Online extras
University of the Arts London Archives and Special Collections Centre, in collaboration with The British Postal Museum & Archive, presents Designs on Delivery: GPO Posters from 1930 to 1960. The exhibition at the Well Gallery – and online here on the Archives Hub – focuses on a period when the Post Office was at the cutting edge of poster design and mass communication. It explores how the GPO translated, often complex, messages to the public in order to educate them about the services offered, by using text, image, and colour.
The Archives Hub website now has online extras: exclusively online, an additional eight posters representing the range of themes adopted by the General Post Office in their advertising.
Illustration: John Armstrong (1893-1973) ‘Mail Coach A.D. 1784’ (1935) reference The Royal Mail Archive POST 110/3175; copyright © Royal Mail Group Ltd and courtesy of The British Postal Museum & Archive.
Sustainable content: visits to contributors
I recently visited two of the contributors to the Archives Hub sustainable content development project. The archivists at Queen Mary, University of London (QMUL) and the BT Archives were nice enough to let me drink their tea, and see how they used CALM.
Axiell, developers of the CALM software, have kindly let us have access to a trial version of CALM to help with this project, but it
Designs on Delivery: GPO Posters from 1930 to 1960
University of the Arts London Archives and Special Collections Centre, in collaboration with The British Postal Museum & Archive, presents Designs on Delivery: GPO Posters from 1930 to 1960. The exhibition at the Well Gallery – and online here on the Archives Hub – focuses on a period when the Post Office was at the cutting edge of poster design and mass communication. It explores how the PO translated, often complex, messages to the public in order to educate them about the services offered, by using text, image, and colour.
As part of the exhibition, the Well Gallery will be showing on loop Night Mail (1936) which the British Film Institute calls "one of the most popular and instantly recognised films in British film history … one of the most critically acclaimed films … [of the] documentary film movement".
Illustration: poster designed by Pat Keely (died 1970) for the film Night Mail, reference The Royal Mail Archive POST 109/377; copyright © Royal Mail Group Ltd and courtesy of The British Postal Museum & Archive.
A few thoughs on context and content
I have been reading with interest the post and comments on Mark Matienzo’s blog: http://thesecretmirror.com. He asks ‘Must contextual description be bound to records description?’