Archives Hub feature for February 2023

The University of Gloucestershire’s Special Collections and Archives joined Archives Hub in 2022. There are 14 collections at the university, charting everything from the history of the institution (founded as a teacher training college in 1847), to national collections including the Independent Television News (ITN) Image Archive and Local Heritage Initiative Archive. There is also an emphasis on local connections, with holdings on Gloucestershire poets, writers and artists. One such example is the Forest of Dean Sculpture Trail Archive.

The collection charts the history of the Forest of Dean Sculpture Trail, located at Beechenhurst Lodge in the heart of the Forest of Dean. In 1983, following the establishment of a sculpture trail in Exeter Forest, Martin Orrom (Forestry and Environment Officer, Forestry Commission) wrote a brief for the establishment of a sculpture trail in the Forest of Dean. The Elephant Trust provided £2,500 towards the project and in Spring 1984 around 20 artists were invited to visit the site and submit proposals for sculptures. Martin worked alongside Jeremy Rees (Founding Director of The Arnolfini, Bristol) and Rupert Martin (Curator at The Arnolfini). Six artists were chosen and these founding commissions were collectively titled “Stand and Stare”:

Peter Appleton – Sound Sculptures
Kevin Atherton – Cathedral
Andrew Darke – Sliced Log Star (Inside Out Tree)
Magdalena Jetelova – Place
David Nash – Black Dome/ Fire and Water Boats
Keir Smith – The Iron Road

The trail was opened on 19 June 1986 by Sir David Montgomery, Chair of the Forestry Commission. By 1988, a second batch of sculptures had been installed including:

Bruce Allan – Observatory
Zadok Ben David – As There Is No Hunting Tomorrow
Miles Davies – House
Ian Hamilton Finlay – Grove of Silence
Tim Lees – The Heart of the Stone
Cornelia Parker – Hanging Fire
Peter Randall-Page – Cone and Vessel
Sophie Ryder – Crossing Place/ Deer/Searcher

Since 1986, over 30 sculptures both temporary and permanent have been sited on the Sculpture Trail. The Forest is a living place, and the sculptures have come and gone leaving a mark on visitors and locals alike. Magdalena Jetelová’s ‘Place’, locally known as ‘Giant’s Chair’, was a huge chair sculpted from oak beams looking out over the landscape. It was originally planned as a temporary sculpture to be charcoaled in-situ, but this was deemed too dangerous. ‘Place’ remained on the trail for nearly 30 years before being decommissioned in 2015. It was dismantled and the wood turned to charcoal, reflecting one of the past industries of the forest, with the charcoal creating new artwork.

The Forest of Dean Sculpture Trust was established in 1988 as a registered charity overseeing the maintenance of the trail and commissioning new works. The trail is owned and managed by Forestry England. Since 2011, the Trust has deposited the archive of the trail with the University of Gloucestershire in Cheltenham. Material covers both the administrative and artistic processes involved. Formats encompass documents, books and publications, leaflets, drawings, videos, a maquette and other ephemera. There is even part of the original bark from ‘Place’ and some of the charcoaled sculpture. The collection has proved popular with arts students both at the university and wider afield. Both the trail and the archive continue to grow as the landscape evolves.

The recent Forest to Forest project celebrated the trail’s 35^th anniversary. To find out more about the site visit https://www.forestofdean-sculpture.org.uk/.

Louise Hughes
Special Collections and University Archivist
University of Gloucestershire

Related

Forest of Dean Sculpture Trail Archive, c.1976-2019

Browse the University of Gloucestershire Special Collections and Archives descriptions to date on Archives Hub

All images copyright Forest of Dean Sculpture Trust and University of Gloucestershire Special Collections and Archives. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for January 2023

In March 2022 the Heritage and Education Centre (HEC) for Lloyds Register (LR) began an inventory of the archive holdings as large parts of the collections currently remain uncatalogued. Part of this work has highlighted the individual experiences of some of the surveyor’s working for LR over a period of nearly 200 years in the form of surveyor letter books, notebooks, and journals. Alongside the related survey reports, plans and correspondence which make up a core part of both the archive and the historic work of LR we can provide an insight into these unique individuals and their roles.

Some of the earliest surviving accounts of surveyors we hold come from two surveyors based in Scotland, Walter Paton (Leith and Firth of Forth ports) and John Bar Cumming (Clyde Ports). Their letter books and journals span the years 1834-1850, they generally contain information and notes from their time surveying vessels which accompanies the information which was to be captured on the ship survey reports and subsequently included in the Register Books. They also reflect the changes in shipping within a steadily growing global industrial world as well as showing the lives of individuals operating within shipping. On several occasions Walter Paton explains his dissatisfaction with the unwillingness of local ship owners and builders to pay the survey fees. In one letter John Bar Cummings puts forward a suggestion for a master of a ship to accept a job taking immigrants to Australia.

The later survey report for David Clark shows that the person in question took this job.

Both these surveyors reference meeting and contacting each other throughout their correspondence, demonstrating the networks of officials operating across the United Kingdom, and internationally, with a centralised contact with the London Office.

Surveyors were initially selected from positions as shipwrights and sea captains, not only was this practical experience with the understanding of ship construction and maintenance relevant for the tasks at hand but it also prepared the surveyors for the dangers of life at sea, this can be seen by Walter Paton assisting with a shipwreck of the coast of Leith. Reflecting a theme that runs through the history of LR, safety at sea. The surveyors often worked long hours and in the early days had limited holidays. As a letter book for John Bar Cummings shows, the work-life balance of some of the surveyors from this time was fraught with difficulty. Usually working the Christmas period, Cummings luckily had one holiday on Saturday 1^st of January 1848 due to closed offices!

The early ship survey reports often included additional information on the ship owners, ship builders, the vessel themselves or comments on events and activities at the port of survey. These often go hand in hand with the letter books and journals. The survey report for Hecla states that the vessel was thoroughly overhauled and fitted out as a whaling ship, for the now famous Northern expedition under Captain William Edward Parry, but that originally, she had been built as a bomb vessel for the Royal Navy.

Some of the later accounts of surveyors we hold provide less of a personal insight, but they do reveal how technology and industry were changing and the specialised knowledge that was required to undertake their roles. N H Burgess surveyor notebooks from the late 19th and early 20th century include various detailed diagrams and calculations and lists the safe number of staff that should be on any given ship at one time. Again, reflecting the continued theme of safety at sea within the work of the surveyors. Likewise, the Surveyor notebooks for S Archer from 1942 onwards contain various tables, diagrams, and calculations. Together they show the engineering, scientific and mathematical capabilities required for surveying in the first half of the 20th century. More information on these surveyors can be found listed on the ‘List of Surveyors’ (1) available on our website and found in the Lloyd’s Register of Ships.

The surveyor journal for Bill Blacklock for 1962-1964, around South Shields, Liverpool and Middlesborough, reflects a great change in the global approaches towards energy and fuel. He was one of the surveyors to have worked on the HMS Dreadnaught, the UK’s first nuclear powered submarine.

The notebooks of surveyor John Mansfield covering the 1980s contain multiple volumes from his tenure at the then Machinery Design and Plan Approval Department. In addition to working for plan approval in London he was also positioned in Hamburg. They are typically representative of surveyors work from the time and detail the activities on the ground for the surveying staff. The notebooks include detailed diagrams, calculations and notes on engineering and shipbuilding, including extracts from letters and discussions for rules and regulations. In the case of the letter below, comments extended to the inspection of onboard CO2 fire extinguisher cannisters.

From surveying artic exploration vessels and shipwrecks, to inspecting nuclear powered vessels, these records offer unique insights into the working lives of the Lloyd’s Register Surveyor on sea and on land.

As noted above not all our collections are currently catalogued and searchable online, as our inventory and archival site mapping work progresses, HEC aims to make as much of this material freely and publicly accessible. HEC is currently closed for refurbishments, for further information on our archives, and access the ship plan and survey report, register books and list of surveyors please visit our online catalogue.

Zach Schieferstein, Archive Officer
Heritage & Education Centre
Lloyd’s Register Foundation

Related

(1) Lloyd’s Register List of Surveyors 1942-1947: Lloyd’s Register Foundation, Heritage & Education Centre: Free Download, Borrow, and Streaming : Internet Archive

Browse the Lloyd’s Register Foundation, Heritage and Education Centre descriptions to date on Archives Hub

All images copyright LRF heritage and education centre. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for December 2022

The polymath Edward Heron-Allen (1861-1943) was a man of considerable talent and many interests. A solicitor by profession, his interests touched on a plethora of subjects: science, languages, literature and music. His pioneering treatise Violin-Making As It Was And Is, published in 1884, remains one of the key works on the instrument (the newest edition was published as recently as 2017). Heron-Allen’s study of Persian enabled him to publish a literal translation of The Rubaiyat of Omar Khayyam in 1898, and he lectured widely on the subject.

After moving to Selsey, a small fishing village on the Manhood peninsula in West Sussex, in 1911 (where he had built a house in 1904), Heron-Allen turned his attention to foraminifera (tiny, single-celled marine organisms) and published a large number of scientific papers, often in conjunction with the oceanographer Arthur Earland; as a result of this work, Heron-Allen was President of the Royal Microscopical Society from 1916-1917 and elected Fellow of the Royal Society in 1919. Anxious to serve in World War I, Heron-Allen enlisted in Selsey’s Home Guard (where he lined his uniform with silk, for comfort), but his linguistic abilities eventually saw him work for the intelligence services, where he devised propaganda before serving on the front line in France, on special duty.

Despite his grounding in the solid, traditional subjects of music, science, law and classical literature, Heron-Allen had a keen interest in the unseen and unknown world, and the occult. Under the pseudonym Christopher Blayre, Heron-Allen penned a number of early science fiction works, some of which are now regarded as classics, including The Cheetah Girl and The Purple Sapphire. This latter work was based on an amethyst which came into Heron-Allen’s own possession in 1890; supposedly cursed, Heron-Allen believed it wreaked havoc on his own life, to the extent that he eventually packed it in seven boxes and left it with his bankers, who were under strict instructions not to open it until 30 years after his death (it now forms part of the Natural History Museum’s collections). Years before he wrote his science fiction, Heron-Allen studied palmistry, publishing A Manual of Cheirosophy in 1885 and The Science of the Hand in 1886; such was his skill that he foretold the death of his younger daughter, Armorel, in a car crash in 1930, many years before the tragic event, merely by observing her hands.

Whilst Heron-Allen deposited many of his papers at institutions such as the Royal College of Music, the collection at West Sussex Record Office contains some of his more personal items, as well as copies of his many published works. Gathered for the most part by his grandson, Ivor Jones, the Edward Heron-Allen Collection (reference EHA) includes letters, visitor’s books, photographs, family material, and diaries, and it provides us with a clear sense of Heron-Allen’s personality.

The bulk of the collection is formed by Heron-Allen’s holiday journals, a meticulous, expansive set of 32 volumes, dating from 1885-1937, all written in Heron-Allen’s neat hand and featuring photographs and postcards alongside all manner of ephemera, from menus, wine cards, bills and receipts, train tickets and timetables, deck plans, and even laundry lists.

Locations range from British destinations such as Harrogate and Penzance, to European countries including Belgium, France and Italy, and further afield to Constantinople (now Istanbul), Egypt and Ceylon (now Sri Lanka). Whilst some journals record holidays, others record scientific trips, such as the survey of Clare Island (Ireland), alongside Arthur Earland, in 1911, and the British Association’s meeting at Dundee in 1912.

All provide evidence of Heron-Allen’s personality, as well as a slice of social and local history, and can provide wonderful detail for researchers interested in a particular locality visited by Heron-Allen.

Local history was another of Heron-Allen’s keen interests, and another subject in which he excelled. After moving to Selsey in 1911, Heron-Allen quickly published his epic work, Selsey Bill Historic and Prehistoric, providing an exhaustive geographical history of the area; a condensed, ‘popular’ version of this was delivered by lecture at Chichester High School for Girls in 1911, illustrated by lantern slides. Heron-Allen also produced numerous scholarly articles on the area, primarily for the Sussex Archaeological Collections.

Perhaps more accessible for many of us are his seven volumes of Selseyana, dating from 1901-1937, comprising press cuttings, reports of local associations, postcards, posters and handbills, and assorted other ephemera, all of which provide a compelling story of what it was like to live on the peninsula. As with his other work, Heron-Allen’s thirst for knowledge, eye for detail and compulsion to collect have provided us with a social as well as physical history of this small corner of West Sussex.

The Edward Heron-Allen Collection is freely available to view at West Sussex Record Office. For information on opening times, our location and access conditions, please click see our website. 

The Edward Heron-Allen Society was formed in 2000. It hosts regular symposia and publishes a series of Opuscula, which concern the symposia and biographical matters relating to Heron-Allen. More about the Heron-Allen Society.

You can find out more about the Purple Sapphire on the Natural History Society’s website.

Nichola Court, Archivist
West Sussex Record Office

Related

The Edward Heron-Allen Collection, 1850 – ongoing

Browse the West Sussex Record Office descriptions to date on the Archives Hub

Archives Hub feature for November 2022

The BBC is celebrating its centenary this year and the BBC Written Archives Centre in Caversham holds the documents that chronicle the Corporation’s contribution to the cultural history of the UK.

Rather than try and cover all 100 years in one post (you can see our selection of 100 objects here) I have picked out a couple of collections that come right at the beginning of the BBC’s story.

The Company Papers: from Company to Corporation

It’s hard to imagine a world without broadcast media, but in early 1922 the UK’s General Post Office (GPO) and a group of wireless manufacturers were busy negotiating how a nationwide system for wireless broadcasting on a large scale could be implemented and funded.

These discussions resulted in the formation of the ‘British Broadcasting Company’, the BBC’s predecessor before it was established under a Royal Charter in 1927.  The commercial company was granted a licence to broadcast by the GPO, funded by royalties from the sales of wireless sets from approved manufacturers. The Company was formed on 18^th October 1922, registered on 15^th December 1922 and received its Licence from the Post Office on 18^th January 1923.

Daily broadcasts began on 14^th November 1922 from Marconi House on the Strand. The regular programme on the 2LO London station included music, drama and ‘talks’ for several hours each day. Licences to receive the broadcasts could be obtained for 10 shillings.

There was soon debate about the relationship between the newly formed Company and the government. This came to a head with the General Strike in 1926, which opened up the possibility that the government could use the BBC as a means of promoting its own views. The Company managed to maintain its impartiality while covering the crisis, broadcasting from the point of the view of the strikers and the government, which appealed to the general public.

Partly as a result of navigating the right tone for the strike and partly via the outcome of two committees to review the new medium of radio broadcasting (Sykes Committee in 1923 and Crawford Committee in 1925) the British Broadcasting Company was reorganised as a public service to become the British Broadcasting Corporation on 1^st January 1927.

The papers in the archive for series CO1 cover the Company’s formation and organisation, including correspondence with the radio trade, politicians, and the press. The files, which include discussions around the first programme content and the tensions brought about by the General Strike, provide a fascinating glimpse into the origins of an organisation that is now so well-known.

Reith Diaries: the Founder of the BBC

John Reith (later Sir John Reith, and subsequently 1^st Baron Reith of Stonehaven) became the first General Manager of the British Broadcasting Company in 1922 and the first Director-General of the Corporation from 1927 to 1938. His name has become so connected with the style and output of the BBC through his mission to ‘inform, educate and entertain’ that the term ‘Reithian’ has come to describe these principles of broadcasting.

Born in 1889, Reith was son of a Scottish minister. He trained and worked as an engineer and factory manager, spending two years in America and serving as a lieutenant in the First World War. He successfully applied for the post of General Manager of the British Broadcasting Company in 1922, when there was little thought as to the direction it should take. This was to become the start of Reith’s ideas of broadcasting as a force for social good, with an intrinsically moral tone.

Having led the BBC through its formation as a Corporation, the introduction of overseas services and the launch of television, Reith resigned in 1938. He was involved in a number of high positions in government and as a chairman of several organisations before his death in 1971.   

The archive holds Reith’s personal papers as a Special Collection. Most notable are his diaries, which span from 1911 to his death. The volumes are a mixture of typed and handwritten material and cover Reith’s personal thoughts and decisions on both the business and domestic sides of his life, including the key events of his time at the BBC.

Alongside the diaries are a collection of enclosure volumes, known as scrapbooks. These contain Reith’s hand-picked mementoes of his life and include letters, press cuttings and ephemera such as postcards and greetings cards. They help to provide a more personal portrait of Reith, who is so often associated purely with his working life.  

All of this material combines with everything in the written archives to provide extra context to well-known stories and increase our understanding of how past events shaped the BBC.

Further Information

Collection level descriptions for the BBC Broadcasting Company Papers and the Reith Special Collection are available to view on the Archives Hub:

• BBC Company: https://archiveshub.jisc.ac.uk/data/gb898-bbc
• Reith Collection: https://archiveshub.jisc.ac.uk/data/gb898-acq

Descriptions listing individual files will soon be available via the BBC Written Archives Centre’s in-house catalogue, which is currently in development.

The BBC Written Archives Centre is available to visit by appointment if you are carrying out an academic or commercial project.

• Full visitor details available at:  https://www.bbc.co.uk/archive/bbc-written-archives-centre/zdy9scw

For further information on the BBC centenary:

• BBC 100: https://www.bbc.co.uk/100
• BBC Archives: https://www.bbc.co.uk/archive/

Matthew Chipping
Archive Collections Manager (WAC Catalogue)
BBC Written Archives Centre

Related

Browse the BBC Written Archives Centre descriptions to date on Archives Hub

All images copyright the BBC. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for October 2022

In 2027 the Goldsmiths’ Company will celebrate 700 years since it received its first royal charter, which formalised the company’s existence as a craft guild.

To mark this anniversary, a programme of cataloguing and digitisation is underway to make the archives more widely accessible. Sharing the catalogues on public forums – such as the Archives Hub – is a vital aspect of this project.

The archives of the Goldsmiths’ Company date back to the 14^th century, with the earliest minutes recorded in 1334. The company prides itself on the breadth of its archival collections; with records covering not only the broad administrative past of the company, but also the history of making and retailing in precious metals. The variety in the archives reflects the strong ties between the craft and the company that remain to this day.

The Podolsky Collection is an excellent example of a maker’s archive, recording all aspects of jewellery craft and trade; from design, to the promotion and sale of wares. Spanning from 1920-2010, the series also offers insight into the resilience of the trade and the evolution of style across the decades.

Most of the collection was donated to the archive by Paul Podolsky, a liveryman of the Goldsmiths’ Company with a career in jewellery spanning over 70 years. Throughout his career he worked both as a designer, then as an executive, dedicating himself to the company set up by his father Eyna Podolsky.

Eyna Podolsky, a Ukrainian immigrant and the son of metalworkers, began his career with an apprenticeship with a jeweller at just 12, eventually becoming a skilled diamond mounter, setter and engraver.

He was able to start his own business in 1920 and was so successful he employed around 40 people. Originally diamond mounters and watchcase makers, the firm was first known as The British National Watch Case Co.

Eyna Podolsky was the first man in Britain to go into mass production of platinum and diamond-set wrist watches, which were mainly sold to wholesalers.

The company also had orders for other pieces of jewellery and commissions from some private clients. In total there are over 130 design drawings in the collection, many of which are from the 1920s and 1930s and so are excellent examples of Art Deco work.

Paul Podolsky’s childhood was spent in and out of his father’s workshops, learning techniques from craftspeople long before he officially joined the firm. Despite this upbringing, Paul didn’t initially want to be a jeweller; he left school at 16 to join a commercial art studio in 1939. The outbreak of war soon closed this down, and Paul joined his father’s studio as an apprentice diamond mounter, by which time the business was thriving in its Hatton Garden premises.

The markets depressed during the war and many young jewellers joined the army, leaving an aging workforce. These gaps were supplemented by an influx of Jewish refugees to Hatton Garden leading up to the war. Paul Podolsky recalls craftspeople from all over the former British Empire coming to work in London at this time, including a German-Jewish refugee named ‘Margot’ who joined the Podolsky workshop.

Like many jewellers E. Podolsky & Co. Ltd. switched to supplying for the war effort – using their small tools to create objects such as fuses. Production at times was 24 hours a day with Paul and his colleagues working night shifts.

After his own service in the army (1944-1947), Paul Podolsky took control of the business, and one of his first actions in charge was to acquire the jewellery subdivisions of Birmingham firms Blanckensee and Albion Chain who had decided to concentrate on engineering work after the war. 

This new venture had to pivot away from the fine work produced between the wars to produce cheaper 9ct items. Many of the initial designs were drawn by Paul Podolsky himself as he was unable to afford a professional designer. It was a gamble, but his economy paid off, with the company still producing commercial jewellery well into the 1980s.

Further information

The listings for the Paul Podolsky collection are available on Archives Hub: http://archiveshub.jisc.ac.uk/data/gb1990-ppo

The archive is also available to view by appointment at the Goldsmiths Company Library and Archive:
https://www.thegoldsmiths.co.uk/craft/library-research/

Listen to the Goldsmiths’ Company Librarian, Eleni Bide’s talk on Paul Podolsky here: https://vimeo.com/674581225

For further information on the history of the Goldsmiths’ Company:
https://www.thegoldsmiths.co.uk/company/history/history-of-the-company/

Sophie Leverington
Archivist
The Goldsmiths’ Company
Goldsmith’s Hall

Related

Browse The Goldsmiths’ Company Library and Archive descriptions to date on the Archives Hub

All images copyright The Goldsmiths’ Company. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for September 2022

About the East London Mosque Archives

Mosque, referred to as a place of worship for Muslims is probably not something that would jump to our minds when we think of archives. It is not surprising then that people are often intrigued to learn that the East London Mosque, which is one of London’s oldest Mosque has its own archive repository located in its complex; the Maryam Centre in Whitechapel. Established as an archive service in 2015, the ELM Archives as it is commonly called, has unique and rich archive collections documenting the various aspects of British Muslim-related history, which is housed in a purpose built Strong Room. At the moment, it is the only mosque in Britain with such facility.

The ELM Archives Project

The ELM Archives holds the institutional records, dating from 1910 onwards of the East London Mosque Trust, which is responsible for the administration and management of the Mosque. What is perhaps not widely known is that the Archives came into existence from a campaign initiated by the Mosque to preserve its own heritage. This all begun in 1995, when the late Muhammad Suleiman Jetha who was a former Chairman of the East London Mosque rediscovered and bequeathed the documents he had taken during the World War II bombings for safekeeping back to the Mosque. The deposit contained the London Mosque Fund Minute Book and collection of letters, which provided wealth of information on the creation and shaping of the East London Mosque. Realising the value, this led to the start of an effort, later to become recognised as the ELM Archives Project, to professionally organise and store the Mosque archives.

Not much was done until 2012 when the Mosque secured the help of a qualified Archivist to carry out a two day scoping study of the existing materials to identify the work required for long term protection and management of the archives. The report compiled at the end offered recommendations on how to classify, catalogue, preserve and provide access to the archives.

Further progress was made as the Mosque submitted a successful application for The National Archives’ Cataloguing Grants programme in 2013. This secured a grant to recruit a temporary Archivist for 1 year to catalogue the archives. At the same time, an Archives Steering Group was formed, comprising of different individuals with relevant expertise within the Mosque and externally from the Religious Archives Group to deliver strategic guidance for the Project. By the end of 2014, the archives were appraised, sorted and catalogued accordingly to best practice in archival standards onto the Archives Hub. Moreover, all the archive materials were labelled, repackaged into acid free folders and put into acid free boxes.

Transition to Archives Service

The success of the cataloguing meant that the archive collection of the East London Mosque Trust went live on the Archives Hub in September 2014, and for the time it was made available to the public for online browsing. To accommodate enquiries and facilitate requests to access the archives, 9 volunteers were recruited. They were given training on how to retrieve and put away documents, supervise researchers and assist with basic queries by the Archivist.

The Reading Room service and the online catalogue were officially launched in January 2015. Since then, the Archives has been hosting both internal and external researchers. Access to the Reading Room is free and open to everyone. The Reading Room currently operates on a part time basis and researchers are requested to book an appointment in advance before their intended visit. Further details of the opening hours can be found on the Archives repository homepage within the Archives Hub.

For the long term storage of the archive materials, the Archives Steering Group researched and developed specifications and requirements to build a purpose built Strong Room in the Maryam Centre. Standards relevant at the time, such as PD 5454:2012 Guide for the Storage and Exhibition of Archival Materials and The National Archives’ Standard for Record Repositories, which gave recommendations for storing and keeping archives within best practice and incorporated factors such as repository construction, storage environment, fire protection and prevention and temperature and humidity parameters were taken into consideration. The built also took into account archival storage needs for the next 50 years. Soon after, fundraising for the necessary construction and equipment began. The building of the Strong Room, equipped with mobile shelving, monitoring system for humidity, humidifiers and extractors, fire proofing and fire alarm system and water drainage arrangements was accomplished and inaugurated on 22 November 2017 by Mayor of London, Sadiq Khan.

The ELM Archives Now

It has been a long journey and the ELM Archives has now transitioned from a Project to a Service. In 2018, a part time permanent Archivist was employed by the Mosque to manage the growing archive collections. The Archives started with the intention of just preserving the history of the East London Mosque but now endeavours to create a repository for all and any records relating to British Muslims in Britain.

With the collecting remit broadened, at present, the Archives has the following archival collections in its holdings:

• Records of East London Mosque Trust
• Records of Jamiat Ul Muslimin
• Records of Indigent Muslim Burial Fund
• Records of Jamil Sheriff
• Records of Peter Clark
• Records of Islamic Information Bureau
• Records of Wapping Women’s Centre
• Records of Muslimaat UK
• Records of An Nisa Society
• Records of Muslim Women’s Collective
• Records of Muslim Council of Britain

Due to a backlog, not all these collections have been fully catalogued and made available on the Archives Hub yet. Please contact the East London Mosque Archives for further information.     

Further Information 

Browse all the East London Mosque Archives collection descriptions on the Archives Hub.

Ways to connect with the East London Mosque Archives:

Email: archives@londonmuslimcentre.org.uk

Website: http://eastlondonmosquearchives.org.uk/

Twitter: @ELM Archives

Instagram: ELM_Archives

To discover the history of the East London Mosque, from the formation of the London Mosque Fund in 1910, the opening of the first Mosque buildings in 1941, making of the Mosque in Whitechapel to the present day, browse the following links:

https://www.eastlondonmosque.org.uk/history

https://www.ourmigrationstory.org.uk/oms/the-east-london-mosque

https://surveyoflondon.org/map/feature/954/detail/

The London Mosque Fund Minute Book from the East London Mosque Trust archive collection has been digitised and a copy can be accessed here:

https://www.cambridge.org/core/journals/royal-historical-society-camden-fifth-series/article/london-mosque-fund/800E27BBC9A990B01C1AB43B7515A079

Shahera Begum, Archivist
East London Mosque & London Muslim Centre

All images copyright East London Mosque Archives. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for June 2022

Edge Hill University’s history dates back to the 1880s when a committee was formed in 1882 to establish a teacher training college for women in Liverpool. Students would be instructed “in the Christian Religion upon a Scriptural but undenominational basis.”

The College was opened on Durning Road in the Edge Hill district of Liverpool in January 1885, with just 41 students. Sarah Jane Yelf was appointed as the College’s first Principal, with the intention of producing ‘a superior class of Elementary School Mistresses’. Sarah Jane Hale took over as principal in 1890 and the institution began a gradual expansion. Miss Hale died in 1920 and by the end of her tenure the College had trained 2,071 girls, of whom 213 were Head Mistresses, 178 First Assistants, and 30 science mistresses. Miss Hale’s successor in 1920 was Eva Marie Smith and she would continue with the ambitious expansion of the College, with it by now having a firmly established reputation for excellence.

Miss Smith and her colleagues had begun to feel that the Durning Road site was not suitable for the growing student and staff population (as well as facing regular problems with the upkeep of the site. In 1925, Edge Hill was placed under the control of Lancashire County Council who would provide a new building for the college, preserving the original name, history and reputation. A site in Ormskirk was chosen and the foundation stone of the new building was laid in 1931, before opening in October 1933.

During the Second World War, the College was evacuated to Bingley Training College while the campus served as a military hospital. The original Durning Road premises were destroyed in a German bombing raid on 28 November 1940, killing 166 people – the worst single incident in the Liverpool Blitz as regards loss of life.

The gradual expansion of the Ormskirk campus resumed after the War and, in 1959, the first male students were welcomed to the College. During the 1960s courses were expanded and diversified, with a rapidly developing range of degree courses on offer.

Over the next decades, the institution would maintain its reputation for excellence in teacher training while also steadily expanding a range of successful degree courses in other areas. This acceleration of curriculum, infrastructure and institutional development has continued to the present day, with the University Title awarded in 2006.

The Edge Hill University archives offer a wealth of potential areas for research. The collections have vast potential for the history of teacher training, women’s education and the changing lives of women in the late 19^th and early 20^th centuries. The expansion of Edge Hill in recent decades means its history has a great deal to tell us about the development of higher education in Britain as well as the changing experiences of those who studied and were employed here. Each milestone changed and broadened the horizons of what Edge Hill University is today.

It would be fantastic to see this collection being used more for research. It has already proven a fantastic resource for historians of women’s suffrage, with a number of Edge Hill’s alumni having been active in the fight for equality and some becoming particularly well-known figures such as the barrister and women’s rights campaigner, Helena Normanton and the socialist, feminist and human rights campaigner, Ethel Snowden. Discussions around women’s suffrage and equality were often covered and reported on in the annual Edge Hill College magazines – a wonderfully rich series of documents that reveal much about the cultural shifts in the lives of women during the late 19^th and early 20^th centuries.

The dedicated cataloguing of the archive only began in late 2019, so there is a huge amount of material yet to be catalogued, as well as a constant flow of new accessions arriving at the archive, so researchers are encouraged to contact us if they cannot find things that they might expect to find listed, would like to find out more about the collections or have a specific enquiry we might be able to support them with. Get in touch and discover an archive collection that is overflowing with untapped potential!

Dan Copley
Edge Hill University Archivist

Related

Edge Hill University and Predecessors, c. 1882-c. 2019

Edge Hill University Archives on the Archives Hub

All images copyright Edge Hill University Archives. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for May 2022

This month we explore the recently digitised Stanley Houghton Collection held by the University of Salford and made accessible on Salford Digital Archives.  2022 marks 110 years since the first performance of Houghton’s best-known dramatic work, Hindle Wakes.

About Houghton

William Stanley Houghton (1881-1913) was born in 1881 in Ashton-upon-Mersey, Cheshire and during his short life would become one of a group of playwrights known as the ‘Manchester School’. 

It would seem Houghton had a standard middle-class upbringing.  His father was a cotton cloth merchant in Manchester and in 1896 the family moved to Alexandra Park, a middle-class residential area south of the city from where Houghton attended Manchester Grammar School.  On finishing school, Houghton went straight into his father’s cotton business, where he worked as a ‘grey-cloth’ salesman.  It was during this time whilst working in the city that Houghton was developing his skills as a playwright and supplemented his income by writing critical reviews for the Manchester Guardian. 

Houghton was one of several playwrights championed by Annie Horniman for his focus on what she called ‘real life’.  Horniman was proprietor of Manchester’s Gaiety Theatre, the first repertory theatre outside of London with its own company of actors and a rotating programme of plays by local writers.  It was through the association with the Gaiety that Houghton’s work was performed to audiences in London and America. 

Hindle Wakes

Houghton’s best and most successful work was Hindle Wakes (1912), a comedy about the freedom of the young and the ‘double standard’ of morality. Written in 1911 and premiered at the London Aldwych Theatre in 1912, the play was controversial at the time for its portrayal of a mill girl who shocks the older generation by choosing independence rather than marriage to the mill owners’ son.  The play both appealed and shocked audiences but ultimately proved a hit on an international level.  The financial success of the play, coupled with the production of Houghton’s earlier work The Younger Generation (1909) enabled him to leave the cotton trade and take to writing full time.  

However, Houghton’s career as a full-time writer was short lived.  After moving to London and then Paris, Houghton returned to Manchester in ill health where he died in 1913 at the age of 32.  

Highlights from the collection

Purchased by the university of Salford in 1983, the Stanley Houghton Collection is largely made up of unpublished manuscripts of plays which give insight into his working methods and character.  It was through a ‘chance check in a Manchester telephone directory’ that a PhD student at the University interested in the life and work of the writer discovered Houghton’ living descendants.  It turned out that they had kept a collection of previously unseen manuscripts by Houghton and photographs of early performances ‘wrapped in brown paper…in various suitcases in the house and garage’.

The works are a mixture of comedies, such as Pearls (c1910) which was designed for the music hall, and melodramas such as The Intriguers (c1906) that demonstrate his development as a writer and working method. Ginger (c1910) is evidence of Houghton’s approach to planning and plot development.  I particularly like Houghton’s handwritten note on the page opposite the start of Act 2, to ‘focus Ginger a bit’, which makes me think of Houghton, pencil in hand reviewing his work.   The typescript of Act 3 of Trust the People includes handwritten stage prompts to get the ‘gramophone ready’, giving a sense of how the work might have been produced on stage. 

There are also published first edition translations of some of his works including Twixt Cup and Lip, a version of Houghton’s play The Dear Departed in Scots dialect by Felix Fair.

My favourite items in the collection are two sets of photographs of early 20th century theatre productions of Hindle Wakes and The Younger Generation.  They include actors from the Gaiety Repertory Theatre who first performed Hindle Wakes some 110 years ago at the London Aldwych Theatre.  The photos not only capture the sets and costumes of a theatre production at a particular point in time, but are also portraits of early 20th century actresses, including Ada King, Sybil Thorndike and Edyth Goodall. 

I would love to see the Stanley Houghton Collection used more for teaching and research.  Houghton was writing and dramatizing the life and society of the young just before the start the 1914 Great War which of course would have an enormous impact on his own generation. 

Salford Digital Archives

The Houghton manuscripts and photographs are one of several collections now available on Salford Digital Archives, the University of Salford’s new platform to access digital archive content online. 

Other collections on the platform include Brass Band News, a unique newspaper about brass bands from the 1880s up to the 1950s, alongside photographs from the Working Class Movement Library and the Bridgewater Canal.  We are adding new collections to the platform in due course including a set of architectural drawings and plans for the University campus and two series of Salford Student Union newspapers.  We welcome ideas for new collections and opportunities to work in partnership to curate content from our own and other archives. 

Alexandra Mitchell
Archivist, The University of Salford

Related

Stanley Houghton Collection, 1906-1930s

Brass Band News Digital Archive (Online Resource)

Browse all University of Salford Archives & Special Collections descriptions:

On the Archives Hub (main site)

On University of Salford microsite (Archives Hub repository website)

Browse all Working Class Movement Library collection descriptions on the Archives Hub

All images copyright University of Salford Archives & Special Collections. Reproduced with the kind permission of the copyright holders.

Archives Hub feature for April 2022

This is the true love story of Geoffrey Griffiths (1906-1993) and Ida Carroll (1905-1995).

Griff

Referred to as “Griff” by many alumni, the lasting memories of this charming chap are primarily as the pipe-smoking first impression of the Northern School of Music. Stepping into the school off Sydney Street (where the Manchester Metropolitan University’s sport centre is now) his lugubrious voice would greet you amid a stain of smoke.

He was the school’s bursar. He typed up the daily notices on the school’s stairwell pillars, he drove the van full of the larger instruments (and their carefully balanced players) to the concert halls for orchestral performances and he kept everything squared away with the balance sheets.

What many did not know, is that he was in a dedicated relationship with the school’s principal Ida Carroll, for about 60 years.  The only reason we know it now is due to the treasure chest of incredible love letters he sent her.

The letters

Geoffrey wrote letters, beautiful love letters, to Ida throughout their relationship. He would write multiple times a week, often just after getting home late at night from visiting her in order to tell her how much he already missed and loved her.

His writing to her was so prolific it seemed only to continue the conversations they had started when meeting face to face, undoubtedly to be picked up again when they next met. Most are merely introduced as “Monday afternoon”, and “Tuesday evening”.  No need to put down such frivolous details as dates when he’s seeing her again by the end of the week.

There are some incredible references the Second World War when he’s had to hastily put down his pen, pick up his papers and pipe (priorities), and make his way to crouch under the stairs or in the nearest bomb shelter. He is very put out as he continues his letter writing in the cramped din, often cursing Herr Hitler for getting in the way of their love affair, which was apparently damned inconsiderate of him.

Ida was an Air Raid Precaution Warden for the Didsbury area of Manchester. Griff was part of the Auxiliary Fire Service in Ashton-under-Lyne, spending many nights in the rooms of a bar parlour with a handful of other chaps, waiting for air raids and the inevitable fires that came after. Many long nights of boredom led to some very interesting letters, full of wartime musings, pining for more time with her, and pages upon pages agonising over details such as the merits of joining a journalism course, the exact details of the journey home, and Whist tactics.

The couple apart

However, despite their devotion to one another, they didn’t traditionally exist as a couple. Indeed, they never actually lived together. One reason for this, it would seem, was Walter Carroll.

Walter was Ida’s father, and a firm fan of Griff for all it would appear. Griff worked in the travel agency frequented by Walter for his many trips to London. Over time, they got friendly and upon discovering Griff’s interest in singing and music (he had a cello called Boris), Walter enrolled Griff into his own choir at Birch Church. It’s likely that this is when he got to know and fall in love with Ida.

He would visit her at her family home and seemed openly intimidated by her father who, despite his appreciation of Griff’s musical passion, did not appreciate any other passion of Griff’s finding focus in his daughter.

The majority of their friends were also unaware of their affair. Both avid Hallé concert goers, they would arrange tickets to go with friends, fully intending to casually meet up at the concert, sit together or near, and meet up together after. A sort of stealth date night.

Getting closer and closer was all well and good, but still they never made the marriage/cohabitation plunge. Even though at one time they had planned to get married and were actively hunting for flat to take together. His letters describe in detail their dreams, just as the Second World War was being announced. Unfortunately, Griff’s mother died shortly after their plans were made. Moving out would have meant leaving his father alone in the family home through war and through grief. It seemed that Walter’s unwillingness to support the union and this tragic weight of family duty, led Griff to write a heart-breaking letter explaining why he needed to call off the engagement.

The couple together

After the war, he quickly took up the opportunity to work as the Bursar of the Northern School of Music (where Ida was Secretary and later Principal) in 1946. Typical of the Northern School of Music and of Ida’s method of career advice, he was not expected to interview but simply to show up and never leave. Which is pretty much what happened.

They remained dedicated to each other, but never married. Their relationship continued for many years, almost in a perpetuating stage of courting. Griff later fell severely ill and Ida nursed him through to the end of his life, almost moving into the nursing home where he lived his final days.

A lovely side-note here that shares some of the effectiveness of the school’s teaching. A friend and former student of Ida would visit her at Griff’s nursing home. The building was all locks and electronic key codes and it became a bit of a faff. Ida, having taught aural skills for decades had learned the key codes to the door locks simply based on the melody they made. She would relay this to her old friend in “tonic sol-far” (you know the one: do re mi fa sol…), singing the code notes to her, to allow freer movement in and out of the building when she visited.

While not dramatic opera-esque, or reminiscent of soaring symphony crescendos, this was a quiet, steadfast, romantic love of the ages. To read all the letters, head over to the Manchester Digital Music Archive with a cup of tea and sigh ready in your heart.

Heather Roberts
RNCM College Archivist
Royal Northern College of Music

Related

The Carroll Papers: Walter, Elsa and Ida Carroll, c.1850-1999

Browse all Royal Northern College of Music Archives collection descriptions on the Archives Hub

Previous features on Royal Northern College of Music Archives

Thomas Baron Pitfield (1903-1999): a visual autobiography

All images copyright RNCM Archives. Reproduced with the kind permission of the copyright holders.